×
Well done. You've clicked the tower. This would actually achieve something if you had logged in first. Use the key for that. The name takes you home. This is where all the applicables sit. And you can't apply any changes to my site unless you are logged in.

Our policy is best summarized as "we don't care about _you_, we care about _them_", no emails, so no forgetting your password. You have no rights. It's like you don't even exist. If you publish material, I reserve the right to remove it, or use it myself.

Don't impersonate. Don't name someone involuntarily. You can lose everything if you cross the line, and no, I won't cancel your automatic payments first, so you'll have to do it the hard way. See how serious this sounds? That's how serious you're meant to take these.

×
Register


Required. 150 characters or fewer. Letters, digits and @/./+/-/_ only.
  • Your password can’t be too similar to your other personal information.
  • Your password must contain at least 8 characters.
  • Your password can’t be a commonly used password.
  • Your password can’t be entirely numeric.

Enter the same password as before, for verification.
Login

Grow A Dic
Define A Word
Make Space
Set Task
Mark Post
Apply Votestyle
Create Votes
(From: saved spaces)
Exclude Votes
Apply Dic
Exclude Dic

Click here to flash read.

arXiv:2402.19329v2 Announce Type: replace
Abstract: The development of the internet has allowed for the global distribution of content, redefining media communication and property structures through various streaming platforms. Previous studies successfully clarified the factors contributing to trends in each streaming service, yet the similarities and differences between platforms are commonly unexplored; moreover, the influence of social connections and cultural similarity is usually overlooked. We hereby examine the social aspects of three significant streaming services--Netflix, Spotify, and YouTube--with an emphasis on the dissemination of content across countries. Using two-year-long trending chart datasets, we find that streaming content can be divided into two types: video-oriented (Netflix) and audio-oriented (Spotify). This characteristic is differentiated by accounting for the significance of social connectedness and linguistic similarity: audio-oriented content travels via social links, but video-oriented content tends to spread throughout linguistically akin countries. Interestingly, user-generated contents, YouTube, exhibits a dual characteristic by integrating both visual and auditory characteristics, indicating the platform is evolving into unique medium rather than simply residing a midpoint between video and audio media.

Click here to read this post out
ID: 813562; Unique Viewers: 0
Unique Voters: 0
Total Votes: 0
Votes:
Latest Change: April 19, 2024, 7:33 a.m. Changes:
Dictionaries:
Words:
Spaces:
Views: 12
CC:
No creative common's license
Comments: